10,523 Free Images of 1845

egyptegyptian1800sancient egyptian artold egyptancient egypt drawinganimals1800s public domainancient egyptancient
Le Roi s'amuse Le Monde illustré, 26e année, n°1339, 25 novembre 1882, 2017.0.3289.2(10), En 1882
newspapers of maison de victor hugole roi s'amuse
Pig from On the Domesticated Animals of the British Islands: Comprehending the Natural and Economical History of Species and Varieties; the Description of the Properties of External Form; and Observations on the Principles and Practice of Breeding (1845) published by David Low.
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Arabian horse from On the Domesticated Animals of the British Islands: Comprehending the Natural and Economical History of Species and Varieties; the Description of the Properties of External Form; and Observations on the Principles and Practice of Breeding (1845) published by David Low.
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Scottish Deerhound from On the Domesticated Animals of the British Islands: Comprehending the Natural and Economical History of Species and Varieties; the Description of the Properties of External Form; and Observations on the Principles and Practice of Breeding (1845) published by David Low.
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American Marsh Shrew (Sorex palustris) from the viviparous quadrupeds of North America (1845) illustrated by John Woodhouse Audubon (1812-1862).
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Woodchuck (Arctomys monax) from the viviparous quadrupeds of North America (1845) illustrated by John Woodhouse Audubon (1812-1862).
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Northern Hare (Lepus Americanus) from the viviparous quadrupeds of North America (1845) illustrated by John Woodhouse Audubon (1812-1862).
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Copied paintings from the tombs of Nevoethph and Menothph from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Annulated Marmot Squirrel (Spermophilus annulatus) from the viviparous quadrupeds of North America (1845) illustrated by John Woodhouse Audubon (1812-1862).
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Grand Temple from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Great speos: Continuation and end of the second [fourth] painting from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Animals copied from the original paintings from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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3 and 4. Nevothph's tomb, continuation of the previous painting from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Tomb of Nevothph with continuation and end of the previous painting. Same tomb, north wall from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Paintings copied from the tomb of Ramses IV (Maimonides) from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Great Speos: vestibule, south wall, lower row and Painting of southwest corner from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Great speos: Great hall, east wall. First painting from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Paintings copied from the tomb of Ramses IV (Maimonides) from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Paintings copied from the tomb of Ramses IV (Maimonides) from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Paintings copied from the tomb of Ramses IV (Maimonides) from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Grand temple, pronaos, wall of the cella. Same, pronaos, north wall, second row. Same, wall of the cella from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Great Speos: vestibule, south wall, lower row, 2 painting of southwest corner from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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Great speos: large gallery or vestibule, north wall. Bottom row, second [fourth] painting of northeast corner. from Monuments de l'Égypte et de la Nubie (1835–1845) by Jean François Champollion (1790–1832).
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