13,305 Free Images of Hand Colored

yale center for british artetchings in the yale center for british artetchingisaac cruikshankaquatint prints in the yale center for british artaquatintpaperjames gillrayromanticismthomas rowlandson
'Man in Outrigger, Hawaii' by Charles W. Bartlett, 1923-27, hand colored etching, Charles William Bartlett, between 1923 and 1927
intaglio prints by charles w. bartlettcanoeing in art
A Fresh Breeze, Thomas Rowlandson, 4 August 1789
the elisha whittelsey collectionromanticism
This is NOT the Baron of Oakland, in the Opera of the Haunted Tower, John Doyle, 1831
lithograph prints in the yale center for british artjohn doyle
A Cognocenti Contemplating ye Beauties of ye Antique, James Gillray, 1801
etchings in the yale center for british artjames gillray
Coming-In at the Death, James Gillray, 1800
etchings in the yale center for british artjames gillray
Hounds in Finding, James Gillray, 1800
etchings in the yale center for british artjames gillray
Tiger Hunting in the East Indies, Richard Earlom, 1802
etchings in the yale center for british artrichard earlom
Going Out. Going Home., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Lombard, North Point and Greenwich Docks, San Francisco Bay ., Hugo Wilhelm Arthur Nahl, 1857
realist landscape paintingshugo wilhelm arthur nahl
A Flight Across the Herring Pool, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
A Natural Crop; - Alias - A Norfolk Dumpling, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Leadenhall Volunteer, Drest in his Shawl, James Gillray, 1797
etchings in the yale center for british artjames gillray
A Political Wil'O The Wisp, Richard Newton, 1795
etchings in the yale center for british artrichard newton
Psalm Singing at the Chapel Royal, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Interrogatories, or an Examination before the Commissioners, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Reconciliation, or the Return from Scotland, Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Gentle Measures of Voluntary Confessions, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Friar Bacon and His Brazen Head, Richard Newton, 1794
etchings in the yale center for british artrichard newton
A Peep into the Retreat at Tinnehinch, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
General Mack, Scampering Back!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Preliminaries of Peace, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
A Spy!!! or the Blessings of a Convention Bill, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Nine-Banded Armadillo (Dasypus Peba), John Woodhouse Audubon, 1848
john woodhouse audubonlithographs of animals
Vices overlook'd in the New Proclamation, James Gillray, 1792
etchings in the yale center for british artjames gillray
Set of six: 6. Hack, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
Maria Cecilia Louisa Cosway, Luigi Schiavonetti
stipple engravings in the yale center for british artluigi schiavonetti
Shrine at St. Ann's Hill, James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
Prelude to Crim Con and The Finale, Richard Newton, 1793
etchings in the yale center for british artrichard newton
The Delegates in Council or Beggars on Horseback, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Duelist's or Sunday's Amusement, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Little Farthing Rush Light, Isaac Cruikshank, circa 1792
etchings in the yale center for british artisaac cruikshank
The Modern Egbert, or the King of Kings, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Chancellor of the Inquisition Marking the Incorrigibles, James Gillray, 1793
etchings in the yale center for british artjames gillray
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Set of six: 1. Charger, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
View of Blackfriars Bridge and St. Paul's, Thomas Sutherland, 1803
aquatint prints in the yale center for british artthomas sutherland
French Discernment; or, a Bumling Discovery!, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
The Quornites Disturb'd or Startling the Game, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Symptoms of Affection, Or - A Specimen of Martial Prowess, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Saint Catharine and St. George, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
A View Near Briton Causway, Francis Jukes, 1785
aquatint prints in the yale center for british artfrancis jukes
A Warm Birth for the Old Administration -----, James Gillray, 1783
etchings in the yale center for british artjames gillray
The States of the Bowels; or a Fashionable Disorder!, John Cawse, 1794
etchings in the yale center for british artjohn cawse
The Dagger Scene: - or - The Plot Discover'd, James Gillray, 1792
etchings in the yale center for british artjames gillray
A pair [Angling]: 1. Evening - October, Henry Pyall, 1832
aquatint prints in the yale center for british arthenry pyall
The Union Club, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Scene Le Vrog House, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Norwich Bull-Bait, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Set of six: 4. Pilot, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Winter Pastime, after F.F. Palmer, Nathaniel Currier, circa 1855
american prints in the brooklyn museumnathaniel currier
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Reformation - or - The Wonderful Effects of a Proclamation!!!, Thomas Rowlandson, 1787
etchings in the yale center for british artromanticism
Dainty Nice Sprats, Ho!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Royal Jasey!! A Sketch For a Vice-Roy!!, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Parody, - or Mother Cole and Leader, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Lord Mum Overwhelmed with Parisian Embraces, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Plunderer Beating Duplicity - or - Amusements at Cairo, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
A Stroke at the Plenipo or Mary's Mistake, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Plate IV: London, St. Paul's and Blackfriars Bridge from Southwark, William Daniell, 1804
aquatint prints in the yale center for british artwilliam daniell
The Whale Fishery, "Laying On", Nathaniel Currier, circa 1852
american prints in the brooklyn museumnathaniel currier
Helianthea eos (Golden Star-frontlet), Henry Constantine Richter
lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter
Broad Bottoms in Holland Worshiping Their New King, Thomas Rowlandson, 23 July 1806
rudolph ackermannromanticism
The Welsh Sailor's Mistake, or Tars in Conversation, George Murgatroyd Woodward, 30 June 1808
prints by thomas rowlandson in the metropolitan museum of artgeorge moutard woodward
View of the New Country Prison at Abingdon, Berkshire, Henry Hoppner Meyer
aquatint prints in the yale center for british arthenry hoppner meyer
Monkey Sharp of Newbury, John Colley Nixon, 1801
aquatint prints in the yale center for british artjohn nixon
The Chamber of Genius, Thomas Rowlandson, 2 April 1806
romanticismnightshirts
View of Pont au Changes, Thomas Girtin
etchings in the yale center for british artthomas girtin
Thornbury Castle, Gloucestershire, Louis Haghe, between 1823 and 1835
lithograph prints in the yale center for british artlouis haghe
"Anvil", George Stubbs, 1794
stipple engravings in the yale center for british artromanticism
Pylades and Orestes, James Gillray, 1 April 1797
hannah humphreyjames gillray
A West View of London with the Bridge taken from Somerset Gardens, Edward Rooker
engravings in the yale center for british artedward rooker
Archery, James Heath, 1789
engravings in the yale center for british artprints by james heath
The Pipe Dance and the Tomahawk Dance of the Chippeway Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835
lithographs in the smithsonian american art museumthe aboriginal portfolio
Character cheerful child
vegetablescharacter
View of the Pantheon taken from the Arsenal, Thomas Girtin, 1803
aquatint prints in the yale center for british artthomas girtin
The Justice, Henry Thomas Alken, 1824
etchings in the yale center for british arthenry thomas alken
Modish and Prudish, Thomas Rowlandson, 1 December 1791
prints in the metropolitan museum of artromanticism
Opera Reminiscences: Desdemona and Othello, William Heath, 1829
etchings in the yale center for british artwilliam heath (artist)
View of Castle Sachsenburg, Adrian Zingg
german etchings in the national gallery of art (washington, d.c.)adrian zingg
Leap Frog, Down Constitution Hill, John Doyle, 1831
lithograph prints in the yale center for british artjohn doyle
Frontispiece: The Progress of a Midshipman, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
The Infant, Henry Thomas Alken, 1824
etchings in the yale center for british arthenry thomas alken
Shooting [a pair]: 1. Morning, George Morland, 1792
aquatint prints in the yale center for british artpaintings by george morland
Little Red-Riding Hood's Meeting with the Wolf, John Doyle, 1835
lithograph prints in the yale center for british artjohn doyle
Washing the Blackamoor, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Set of six: 2. Cart Horse, Thomas Sutherland, 1821
aquatint prints in the yale center for british artthomas sutherland
Oh! Dear What can the Matter Be, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The French Bugabo Frightening the Royal Commanders, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
View of the Forth, Including the Queen's Ferry, Francis Jukes
aquatint prints in the yale center for british artfrancis jukes
Pray Remember us Poor Children, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A Mistake, William Heath, 1829
etchings in the yale center for british artwilliam heath (artist)
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The First of April or, A Meeting of Creditors, Samuel Collings, 1785
etchings in the yale center for british artsamuel collings
The Battle of Bow-Street, James Gillray, 1788
aquatint prints in the yale center for british artjames gillray
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