13,316 Free Images of Hand Colored

yale center for british artetchings in the yale center for british artetchingaquatint prints in the yale center for british artromanticismthomas rowlandsonjames gillrayaquatintisaac cruikshankhand-colored etching
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings, James Gillray, 1798
etchings in the yale center for british artjames gillray
A View of the Frigates Stationed in the Hope under the Command of the Elder Brethen of the Trinity House, Thames Estuary, William Daniell, 1804
aquatint prints in the yale center for british artwilliam daniell
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
Fox-hunting [a pair]: 2. Four O'Clock in Town, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
Hunting, Shooting, etc. [set of four]: 4. Pheasant Shooting, Samuel Howitt, 1793
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
The South Entrance of Duke's Place, John Thomas Smith, 1814
etchings in the yale center for british artjohn thomas smith (1766-1833)
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
John Bull Viewing Billy's Preparations for His Birthday, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest., James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Fox-Hunting [set of six]: 1. Going Out in the Morning, Thomas Rowlandson, 1787
aquatint prints in the yale center for british artromanticism
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's, James Gillray, 1797
aquatint prints in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785
etchings in the yale center for british artromanticism
Plate III: London, London Bridge (from William Daniell's Six Views of London; Thames side), 1804
aquatint prints in the yale center for british artwilliam daniell
King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1795
etchings in the yale center for british artjames gillray
Hunting, Shooting, etc. [set of six]: 1. Duck Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Portrait of an Irish Chief; Drawn from Life at Wexford, James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
The Brazen Image Erected on a Pedestal Wrought by Himself, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Portrait of the Short Horned Bull Patriot, William Ward, 1810
mezzotint prints in the yale center for british artworks by william ward (engraver)
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Between Two Stools The Bottom Goes to the Ground, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Overthrow of Dr. Slop, Henry Bunbury, between 1773 and 1817
etchings in the yale center for british arthenry william bunbury
Dumourier Dining in State at St. James on the 15th of May 1793, James Gillray
etchings in the yale center for british artjames gillray
Fox-hunting [a pair]: 1. Four O'Clock in the Country, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Collared Parrakeet (Plate 40), Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
The Tree of Liberty, - With The Devil Tempting John Bull (Fox), James Gillray, 1798
etchings in the yale center for british artjames gillray
Fox-Hunting [set of six]: 6. The Dinner, Thomas Rowlandson, between 1787 and 1788
aquatint prints in the yale center for british artromanticism
Fox Hunting: Leicestershire - Full Cry, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Psittacula Swinderniana. Swindern's Parrakeet, Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
Mr. B seeking the Bubble reputation - Plate 5, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets, James Gillray, 1802
aquatint prints in the yale center for british artjames gillray
Plate 39, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 1, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 34, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 31, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
An Old Ewe Drest Lamb Fashion, Thomas Rowlandson, 25 October 1810
satirical art worksromanticism
Plate 23, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Going Out in the Morning, Thomas Rowlandson, published 1786
prints in the national gallery of art (washington, d.c.)romanticism
The Pleasures of Bond Street: or Fashionable Driving, Thomas Rowlandson, 1807
satirical art worksromanticism
Plate 20, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Royal Academy, Somerset House, London, Thomas Rowlandson, 1811
satirical art worksromanticism
The auction of the love gods (based on the Goethe poem "The love gods on the market" from 1796), Johann Heinrich Ramberg, 1799
johann heinrich rambergerotes
Salus in Fugâ - La France se Purge Petit à Petit, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
More Short Petticoats of Highland Association Under Episcopal Examination, Franciscus Sansom, 1798
etchings in the yale center for british artfrancis sansom
The Opening of the Waterloo Bridge on the 18th June 1817, Augustus Charles Pugin, 1818
aquatint prints in the yale center for british artaugustus charles pugin
What a Man Buys He May Sell. Blackstones Commentaries Page..., James Gillray, 1788
etchings in the yale center for british artjames gillray
Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828, Edward Duncan
aquatint prints in the yale center for british artedward duncan
(The) A Grand Battle between the Famous English Cock and Russian Hen!, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786
etchings in the yale center for british artjohn william edy
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Effects of British Valour on the French Directory, George Murgatroyd Woodward, 1798
etchings in the yale center for british artgeorge moutard woodward
Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire, John Doyle, 1846
lithograph prints in the yale center for british artjohn doyle
[Racing] Set of four: The High Mettled Racer, Dean Wolstenholme the younger, 1817
aquatint prints in the yale center for british artdean wolstenholme jr.
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover, James Gillray, 1784
etchings in the yale center for british artjames gillray
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
A set of four - Shooting: Plate III. Dogs brought the Fame & reloading, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Charge of Bastardy before Justice Juggle, George Murgatroyd Woodward, 1790
etchings in the yale center for british artgeorge moutard woodward
Rumping - Kicking and Kissing - or - Cutting off the Privy Purse ---, George Cruikshank, 1822
etchings in the yale center for british artetchings by george cruikshank
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Bismarckfeier, Lovis Corinth, 1915
lithographs in the national gallery of art (washington, d.c.)expressionism,impressionism
Fox-Hunting [set of six]: 2. The Chase, Thomas Rowlandson, between 1787 and 1788
aquatint prints in the yale center for british artromanticism
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
A Fete at Cum(berlan)d House; or the Comforts of an Uninhabited Mansion!!!, Richard Newton, 1799
aquatint prints in the yale center for british artrichard newton
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
A Change in the Head of Affairs, William Heath, circa 1828
etchings in the yale center for british artwilliam heath (artist)
More Humbugs, - or - Another Attack on John Bulls Purse, Charles Williams, 1818
etchings in the yale center for british artcharles williams (caricaturist)
Les poissons et le cormoran (The Fish and theCormorant), Pierre Quentin Chedel, published 1759
etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry
A New Irish Jaunting Carr. The Tandem - or Billy in HIs Sulky, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary, James Gillray, 1799
etchings in the yale center for british artjames gillray
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass,... etc., James Gillray, 1783
etchings in the yale center for british artjames gillray
Suffolk Rats protecting their Cheese, or the County Fencibles called to Arms, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Plate V: London, Somerset House (from William Daniell's Six Views of London; Thames side), 1805
aquatint prints in the yale center for british artwilliam daniell
A Peep into Totenham Street or Dillitanti Performers in Training, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Fox-Hunting [set of three of four]: 2.The find, James Pollard, 1822
etchings in the yale center for british artjames pollard
Racing [set of six]: 3.Mounting, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
Englishmen in November, Frenchmen in November, Thomas Rowlandson, 25 November 1788
samuel william foresromanticism
South View of London Street Dockhead and Plan of the Parish of St. Mary Magdalen, Bermondrey, Surrey, William Wise, 1822
engravings in the yale center for british artwilliam wise
The Iron Steam Ship, Great Britain, Thomas Goldsworthy Dutton, 1852
lithograph prints in the yale center for british artthomas goldsworthy dutton
Fox-Hunting Sketches: No. 3. Follow, Follow Me!, Hablot Knight Browne
lithograph prints in the yale center for british arthablot knight browne
Racing [set of six]: 2. Weighing, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
How to Escape Losing, Thomas Rowlandson, 22 November 1791
the elisha whittelsey collectionromanticism
Running out of the Course, Thomas Rowlandson, 1 January 1799
samuel william foresromanticism
Racing [set of six]: 6. Betting, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
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