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Notre-Dame et l'Evêché en 1750 (composition rétrospective). D.7916, Theodor Josef Hubert Hoffbauer
theodor josef hubert hoffbauerdrawings in musée carnavalet
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Ancient Greenland, Iceland, and Faroe Islands - Egede’s Map, Emanuel Bowen, 1747 (undated)
18th-century maps of greenlandold maps of the arctic
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Au mur 1871, pont Marie. Episode de la Commune, G.5259, En 1893
etchings of paris by auguste lepèreprints in musée carnavalet
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Trocadéro, G.21850, Vers 1903
du ier au xxeme. les arrondissements de parisprints in musée carnavalet
Trocadéro, G.21850(3), Vers 1903
du ier au xxeme. les arrondissements de parisprints in musée carnavalet
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Au mur 1871, pont Marie. Episode de la Commune, G.5259(2), En 1893
etchings of paris by auguste lepèreprints in musée carnavalet
Trocadéro, G.21850(2), Vers 1903
du ier au xxeme. les arrondissements de parisprints in musée carnavalet
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An Holland Smock to be run for, by any Woman born in this COunty: The best Woman in three Heats, 1770
satirical prints in the british museumworks after john collet
An Holland Smock to be run for, by any Woman born in this COunty: The best Woman in three Heats, 1770
satirical prints in the british museumworks after john collet
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Le Palais et la Cité en 1530 (Composition rétrospective). D.7913, Philippe Benoist
drawings in musée carnavaletphilippe benoist
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Probable self-portrait, Frans Pourbus the Elder, circa 1570
16th-century self-portrait paintings of menportrait paintings by frans pourbus (i)
Gerbier (M-H 160), Paris Musées 20230618174854, Anthony van Dyck, Entre 1634 et 1636
'iconographie' by anthony van dyck (petit palais)baroque painting
Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.442, Vers 1657
engravings in musée carnavaletengravings by israël silvestre
Galliot and Fusta of Java de Bry, Johann Theodor de Bry, 1599
sailing ships in indonesiahistorie van indien
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Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.443(3), Vers 1657
engravings in musée carnavaletengravings by israël silvestre
Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.443(2), Vers 1657
engravings in musée carnavaletengravings by israël silvestre
Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.442(2), Vers 1657
engravings in musée carnavaletengravings by israël silvestre
Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.442(3), Vers 1657
engravings in musée carnavaletengravings by israël silvestre
Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.22732(2), Vers 1657
engravings in musée carnavaletengravings by israël silvestre
Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.22732, Vers 1657
engravings in musée carnavaletengravings by israël silvestre
Vue du Pont St. Landry, estant veu du coste de la porte St. Bernard a Paris. G.443, Vers 1657
engravings in musée carnavaletengravings by israël silvestre
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Le vieux Célibataire. BAL2007.84, En 1828
chansons de béranger (monnier)
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Quai de l'Hôtel de Ville, G.5251, En 1892
etchings of paris by auguste lepèreprints in musée carnavalet
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Quai de l'Hôtel de Ville, G.5251(2), En 1892
etchings of paris by auguste lepèreprints in musée carnavalet
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Drevnosti RG v3 ill088 - Sabre, before 1853
antiquities of russian country - volume iii
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A Harlot's Progress, Plates 1-6, William Hogarth, between 1732 and 1842
prints by william hogarth in the british museumrealism
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A Harlot's Progress, Plates 1-6, William Hogarth, between 1732 and 1842
prints by william hogarth in the british museumrealism
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