1,611 Royalty-Free Audio Tracks for "Bach"

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Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Gotteslob 2013 Hamburg) von Rabanus Flavus (Peter Gerloff)
Author: Melody: Hans Kugelmann; harmonization: Johann Sebastian Bach (BWV 441); adaptation to Kugelmann's original melody & sound file: Rabanus Flavus (Peter Gerloff)
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02:38
Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Gotteslob 1975 Hildesheim) von Rabanus Flavus (Peter Gerloff)
Author: Melody: Hans Kugelmann; harmonization: Johann Sebastian Bach (BWV 441); adaptation to Kugelmann's original melody & sound file: Rabanus Flavus (Peter Gerloff)
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Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).
Author: Composer: Charles Gounod (1818–1893) Contemporary Performer: John Michel, a cello professor at Central Washington University
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Author: Céliny Chailley-Richez, Christian Ferras, Jean-Pierre Rampal and Gaston Crunelle
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Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935
Author: Untitled
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Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.
Author: Created by Hyacinth (talk) 03:29, 21 March 2010 using Sibelius 5.
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Diminished chord in first inversion in Bach's WTC I, Prelude in G Major.
Author: Hyacinth
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