1,948 Royalty-Free Audio Tracks for "Filter"

Two seperate recordings of an old computer with a tweeter wired as a microphone, then hard panned, compressed, saturated, filtered and run through a ms-modifier a phaser and a 15 second long convolution reverb.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

Wildtrack of crickets at night in the back of an hotel in meta - colombia in a very warm night with a higway passing 200 meters away. Recorded with zoom h6 - sorry for the bumps, you can fix them with a hp filter.

A simple hi-hat turned down to 31 bpm, (key: c, major pentatonic), repeated and "randomized". Effects are made with a squeeze filter.

Sitting waiting in an almost empty car park on a summer evening. People talking, walking around, distant city noises. Zoom h1, internal mics, no filters.

A moderately-sized bell of crystal glass. The tongue rolls inside the bell back and forth several times in a rhythmic manner. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.

This is an underwater ambient loop i created for a game-jam project. Since the project was nothing but good fun, i have uploaded some of the more useful sounds to freesound. Org for everyone to use. The sound was created by layering hydrophone recordings with filtered noise.

The spaceship portholes flashed of different coloured lights and let filter an increasing noise of tortured machines. Then it came a sudden explosion, so strong to lacerate the brain: an empty of white and yellow fire. Tones made with nch tone generator.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

This is a recording of a lot of morse code conversations on the 40 meter band of amateur radio. Mainly between 7 - 7. 012 mhz using lsb, usb, cw wide, cw narrow, and am filters. I used a yeasu ft-757gx transceiveri mainly recorded this because i thought the am filter on the morse code sounded very unique and space like. Feel free to cut out whatever you like and modify. Also the buzz is from the computer's sound card impurity being amplified through the transceiver, this is not easy to fix. Recorded on 3:50 utc 2013-11-2.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Birds in a residential neighborhood in north philadelphia, pa at 6am. Sound of a central air unit nearby and occasional vehicle passage in distance. Recorded into ableton live 8 with samson co1u from 2nd story balcony. Some eq filtering applied.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

Made cool sounding crash by combining two crashes layered on top using daw flstudio. Enjoy free to use as u please. If you put a low pass filter on it, it will sound better.

The strange sound of the spanish knife sharpeners whistle as he travels the streets calling for people to come and get their knives sharpened. Recorded from my balcony. Put through a high pass filter because there was loads of background noise.

Recording made on 15th feb 2013, with zoom h4n x/y 120º integrated mics. Hi-pass filtered @ 80hz. No more processing. Ambience interior overground train @ peckham rye.

Synth blank wobble tones d3+d4, stereo, master rms, filter cutoff, transient, vocodex, flanger param x, eq, distortion.

Simple sounds that you can edit and use in your project! for example in the game :)instrument - toothbrushrecorded by phone xiaomi a2 litleedited in audacity (noise reduction)100% free to use. Change speed, altitude, or add filters and get an interesting effect!.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

The sample are mixed and processed. The fade-in/stopping done by filters & the noises, the full sample done by glitching, granulize & adding more sounds: doorclosing, drive starting, -stopping & dooropening/drive ending.

Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!.

I recorded making differnt kind of noises with leaves and other plant parts to use them as a base to create some monster-like sounds using distortion and filters. Recorded with a tascam dr-22wl and cut with ardour.

Evening ambience recorded with a zoom h1. Caldes de montbui, barcelona.

Not quite as fun as the title makes it sound but still a good hydraulic whooshing sound i made with my tascam dr-40x on a small tripod underneath my bed as i lifted and pushed down on the hydraulic hinge. Filtered and eq'd a bit for some room buzz.

Early june morning. Sound of birds and chipmunks in woods east of seattle, wa, usa. 24/48000 stereo pcm. Studio projects ldc 8" from ground 10' apart. Mossy trail in woods. High pass filter at 300 hhz.

I bravely snapped a pencil into three pieces and this is the sound it made when i broke the first bit off. All of my other pencils are now scared of me. Olympus ls-5, built-in mic capsules, no filtering.

Suburbs captured with zoom h1. You can hear some birds all the way. Theres a dog in one part and theres a plane but you can cut it with a high pass filter.

Microphone: zoom iq7 with simple windscreen not edited stereo 120deg. Baltic sea: calm sea, waves about 20cm amplitude. Best filtering for wind-noise: high-pass 125hz to 150hz / -18db/oct.

Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.

This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.

This is an acid loop i made with free vsti called rubber duck. I run it through various lfo type filters. I've tweaked it to make it a perfectly looping one shot hit at 112 bpm.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Mouth made noise with snipping out finger. Recorded at home 26th of june 2014 with sharp md-sr50h(s)+ it's normal microphones, imported via analog (unfortunately*)into pc and saved with free software audacity. *please use some filter if you use this sound. . .

A bird was singing close to a chimney early in the morning. I had my recording gear ready to go. It took quit a bit of processing (= noise-removal & filtering) to get rid of rubbish. I added a slight reverb to it. The recording is made in zoetermeer, a city close to the hague.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.

Date 05/19---------------------------------------------------------------------------------samples created with ableton live, the intent is to emulate but not only the most beautiful kicks of the hardstyle and raw style genre, using overlaps of multiple audio layersvsti used:sylenthrob panen raw---------------------------------------------------------------------------------vst insert:qx24 (exciter)thrillseekervbl (vintage broadcast limiter)ivgi (saturation)safe distortion (distortion)dcam free comp (compressor)camelcrusher (distortion)tal filter 2 (filter modulator)clip star (soft clipper)d2 (compressor)---------------------------------------------------------------------------------master effects:ott multiband compressorlimiter 6 (limiter)---------------------------------------------------------------------------------i would like, as a reward for the time spent creating the sound, to receive a positive or negative evaluation, for those who have downloaded the file, thanks.

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Car idles, then revs for no other reason but to make a noise. Can't remember what type of car it was, but it was blue and little flames came out of the exhaust. Tascam dr-22wl, internal mics, deadcat. 15hz high pass filter.

A 3kw electric fan heater switches on, runs for a few seconds, then gets switched off, thus demonstrating my mastery over small electrical appliances. Olympus ls-5, built-in mic capsules, no filtering.

Warning: harsh noise with resonant malefactors. Bad q ! bad q!. Noise sound through analog phase shifter and steiner parker filter through a holtech-based delay. I imagine this as a soundtrack to an ultraviolent horror movie scene.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!. .

This was requested by laiden (obviously). It's me yelling "laiden, drop the beat!" into my rather cheap mic and then running it through some filters in fl studio 11 to enhance the sound and give it a feeling of power.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

Recorded with audacity, this ghost is terrifying me, i can hear him through the walls :(. Microphone: logitech g35. Just using a couple filters via audacity. Stretching and morphing sound. I started with saying pretend words backwards in realtime.