397 Royalty-Free Audio Tracks for "Patch"

This is a bell tone produced with a modified version of miller puckette's d07. Additive pd patch. It sounds like a soft, smooth bell. This sample is public domain, ignore the cc license.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

Chromatic notes starting at c0. A blend of three oscillators + and additional wavetable. Not too shabby, but very wabby. Enjoy!.

About 30 seconds of something slow. Vcv rack v1. 1. 6 - patch:rich3.

Suddenly you realize that you have made a patch that sounds strange. . . But that okay!.

Sounds/music from a vcv-rack patch that generates suspense music.

Buzzy patch of static from the am radio dial slowed and with a filter and some digital reverb.

Created using spectral freezing max patch. Some may have pops and clicks or audible looping but shouldn't be hard to fix. :).

This is from my roland kit set on the robo patch and i stretched it out on the sony program. Please comment on what you may use it on. Thanks. :^).

A drone with jupiter storm and function in some sort of feedback patch with injected cv from sloth - always sloth. . .

A noiseful patch i had on my 6u modular synth. Reverb and pan fx from zoom ms-70cdr.

Digital synthesizer patch using karplus/strong pluck sounds. Sound produced using my own jsyd software. Jsyd can be found at http://www. Jbum. Com/syd.

Created using a patch on the roland mc-505. I recorded it through a m-audio fast track pro into sequel 2.

Buzzy patch of static from the am band of the radio dial. Slight flipping of the dial through the area adjusts the sound.

This is from my roland td7 kit set on the symphonic patch and i just beat it out with the sticks. If you use it please comment on what you will use it for. Thanks. :^).

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

A patch that happened. 30 seconds of modular unmusic. If you want you can loop it. If you find use for this sound. . . Let me know.

Drones made with an analog modular synth. The drones are generated by a generative patch.

Sounds from a generative patch controlled by chaos. Pure analog modular synth. But digital fx. . . Everything is analog when you hear it!.

Brass melody i made using fl studio's morphine. I used the patch "led scream" which i reverbed and eq'ed. 114 bpm in f# minor.

This is a collection of whooshes that i created using melted sounds' whoosh reaktor patch, loaded with a collection of samples i recorded of a piece of sheet metal being rubbed with my hand. There are 35 different whooshes of fairly similar length in 01, and 29 varied whooshes in 02 which were hand-performed within the patch. Ps. If you like these, there is a second file with a wider variety of whooshes in a similar style here:. Http://www. Freesound. Org/people/framing_noise/sounds/256910/.

Not just a patch! i'm actually wiggling during the recording. New for me. . . Very electronic. Minimalism. Unedited recording.

Original bass patch made on synth 1. Processed in reaper, mixed and warmed up through a behringer mixer. Sampled into my mpc. 44. 1k, 16-bit.

Just some random noise from my glitched speak and maths toy that i made. I created a delay patch using reaktor. Recorded from the headphone socket directly into the live drive on my computer.

The first cut of patch 11 part 2. Made with a casio lk-300 tv, acid music studio 6. 0b, and lfobia mocheese - synthedit vsti. A synth-loop. Take it as a loop, not a one-shot.

Layered synth pads, sampler patch, strong processing. Dmin7 chord. 100% homegrown.

Welcome to the jungle! ;-)created with the malstroem synthesizer. Two layered patches, stereo. Graintable synthesis, pitchmodulation and lowpassfilters with weak resonance. That's all. No additional effects.

A small remixed weird voice patch that uses some small words of a song i wrote and then i used pitch correction to put it into the key of cmaj starting on f.

I got the zynaddsubfx-patch from a member of the audio4linux. De-community, named zettberlin. Sounds great, so i have to record and publish it. Processed with the "fast lookahead limiter" ladspa-plugin.

Patch made with a microkorg and an ea-1. Sounds a little bit like an organ for a few octaves. Lovingly multisampled. 44. 1k, 16-bit.

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

A drone patch on a doepfer system. The system gets gates and cv from a telephone pickup listening on the harddrive and fans on a macbook. I think everything passes through the a199 - spring reverb module aswell.

This is from my roland td7 electronic kit set on the reverb patch and i just played whatever came into my head. Use it as you like but please comment on what you will use it for. Thanks. :^).

Another cut of patch 11 part 2. Made with a casio lk-300 tv, acid music studio 6. 0b, and lfobia mocheese - synthedit vsti. Part 3 of 3. Cut apart to work with more easily.

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

Time for electronic minute no 301. A relatively structured sound and patch. It's not exact, not exactly repeating. Sometimes an electronic high-hat sound i heard.

The sound of a guitar being plugged in1/4" cable going into a guitar - amplified and unamplified, amplified sound of a stompbox being switched on, and amp hum layered in sony acid.

I got the zynaddsubfx-patch from a member of the audio4linux. De-community, named zettberlin. Sounds great, so i have to record and publish it. Processed with the "fast lookahead limiter" ladspa-plugin.

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

It's ben a hard day. I have been an official at an big youth athletics competition. I chill down (or off?) with a modular synth moment. . . . I will not try to explain the patch.

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

Pattern 4 increase/decreasethe pattern is here: https://www. Instagram. Com/p/bmyofl8gjlz/?taken-by=gis_sweden.

This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.

Sound is from reason 6, combinator patch lonely computer world. Spooky science fiction atmosphere. Metallic sounding noises / echoes over cracking noises.

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

Same as thrumbeat-volume re-leveled and length trimmed for a better loopambiguous beat pattern produced with a heavily cross-modulated sample and hold patch on the studiofactory/synfactory soft synth.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.