4,640 Royalty-Free Audio Tracks for "Process"

This clip was recorded in august 2021 during the evening in a platform near the beach in le grazie, la spezia, italy. You can hear the sounds of the waves clashing with the platform, the people walking around, cicadas in the distance and also the sound of the boats navigating into the port. It was recorded with a zoom h1n (96khz /24bit). The sound was no post-processed.

6-minute clip of a thunderstorm with sweeping rainfall in the grass and trees of my back yard in northern colorado. Sounds of annoyed crows and grackles can be heard periodically in the distance, and the ambient sound of water through the gutters and downspouts is also prevalent. Recorded with a tascam dr-60d and two behringer xm1800s dynamic mics. Post processed with amplification and mid eq boost in audacity.

Sound remixed fromoriginal audio:circuit breaker 2 dp. Wavsribubba. Added it to simpler, put it in c# i think, added a filter, plus some echo and reverb, added to a one shot and resampled it to this. Hope you like the noise and can use it.

Old guitar multitrack recording with some effects from the pod x3. Some post-processing, not much. There's some minor clipping issues since i never got around properly mixing this and the original project file is long lost. Maybe someone can find use for this :-).

Created in pure data. I used some of the abstractions from the mtl abstraction collection trying to create complex rain ambience. Https://puredata. Info/members/mtl/index_html. Recorded and post-processed with audacity. For a more "rainy" effect perhaps try use a few offset and panned layers of the sfx. Well, you can hear the result. .

I'm new to freesound, and am loving all the ambient forest and water sounds. I wanted to get something on my account to share while i'm still in the process of purchasing good equipment to share my own ambient sounds. So i whistled a little tune into my iphone 5s just to get the sharing started. This land is my land, this land is your land with a little harmonizing :).

This clip was a test for my new roland cs-10em binaural microphones. It was recorded from my balcony. I live in city so you will hear traffic, cars and motorcycle, people chatting and a barking dog. For this clip i used my zoom h1n (96khz/24bit) with roland cs-10em binaural microphones. The sound was no post-processed.

A dark and dissonant hit on the very low piano keys. With a bit of eq to increase the low rumble and a lot of reverb. Not a real piano but a vst instrument. Suitable for e. G. Horror films and games. The versions (a) and (b) of each sound in this pack are the same notes but on different pianos with sligthly different settings. Post-processing: eq & reverb.

Recorded with a tascam dr-05x with gain at 75% and positioned by an open window. 10:00 am sunday, clear sky, cold with some ground frost. Background distant traffic noise and helicopter appears about halfway through the recording then some people's voices near the end. I've amplified this recording by around 8db, no other processing applied.

Bought a piece of 12"x24"x22awg copper sheet metal last week and was fascinated by the warble noises it made when i picked it up out of the box. Recording: easy voice recorder (android) on a samsung s7. Post-processing: 2-pass noise removal with audacity due to fluorescent light hum and other background noise.

Demonstration of the impressive acoustics and natural reverb of the pisa baptistry http://en. Wikipedia. Org/wiki/baptistry_%28pisa%29, a few meters away from the world-famous leaning tower. Recorded with iphone 5, 44. 1 khz wav format, no post-processing whatsoever. Every hour a ticket inspector goes with this "a cappella" singing.

This one is an attempt to replicate the ww2 enfield bolt action rifle the british used through world war 1 all the way to world war two and is even still used in some paramilitaries today. I used mostly recordings of the actual enfield rifle and just stacked them together, processed them with eq and multiband compression and several transient designers to bring out the snap and attached a reverb tail to it. Made this in ableton live.

A guitar chord, probably a d. Recorded for the purpose of testing out guitar dsp effects. Recording details:. Gibson les paul junior, p90 pickup, mahogany neck, ernie ball beefy slinky 11-54, dunlop 88mm. Recorded through the instrument input of a focusrite saffire pro 24. Edited in ableton live, no processing other than gain and fade.

Two-pole circuit breaker recorded held in my hand, also pressed against a wooden board for more resonance. And some rattling mechanical handling noises at the end. Useful as electrical switch click. 96 khz, 32-bit float. Tlm-103 mic straight into pro tools. The only processing is a mild gate. At least it has a good noise floor.

01. 03. 17: happy new year, everyone. This is one of a couple of mouth swooshes i made for a papier-mâché style animation. Sweep up, small break, then a mouthy impact. Recorded with iphone 6s, edited and processed in logic.

Here is a recording i made of my toilet flushing. I used 3 microphones, one placed in the bowl, one place on the cistern and one placed about 2 feet away from the toilet. The mics were fed into a sound devices 664. The only post processing i did was mix the levels. Toilet bowl - shure sm57cistern - sanken cos11main mic - sennheiser mkh416.

New recording of the same garage door with better microphone: https://freesound. Org/people/samsterbirdies/sounds/581601/. Recording my noisy electric garage door opening and closing. First 2 is my right door, last 2 is my left door. Recorded with a boya by-m1 through an awful phone that does garbage post processing and gain control.

Chewing: crunching hard food in closed mouth, slower pace. Crunching ice or other larger, harder food. Edited from the sound of a salt grinder intermittently crushing rock salt (tempo increased 15%, high cut eq applied to simulate closed mouth). Recorded using a tascam dr-40x and processed in audacity.

Quiet, consistent city ambience: traffic at street crossing, some people, airplane, one loud bang. Motor rumble of starting/stopping vehicles, some distant voices, honk, shot/bang. Recorded with tascam dr100mk2 (built-in cardiods 58mm 90°, gain h7, 80hz-hp), no processing. Recorded on an april evening from a 5th floor balcony in berlin moabit.

Wind turbine sound, near lacedonia, campania, italy, the 16th august 2022 @ 18:30the sound was recorder with a zoom h1n with windshield from a distance of 25m approx from the wind turbine. Processing:* 120hz high pass filter (to reduce some low frequency rumbles due to the wind);* volume adjustment;. Other sound in the recording:* voice of a woman in the distance (at the beginning of the file);* wind gusts;* car passing by (at the end of the file);.

Process: a while ago i worked on a game and recorded several sound effects, one track after another. With the session set up the way it was, i opened all the channels and selected a section and exported it. After exporting, i threw it into paulstretch, and rendered that at the default settings. This is the result. If you use it, shoot me a message with a link to the project! i'd love to see how it's used!.

Soundscape of some pads. . Strange how the midi was created. . Used a granular device to create some sort of glitchy effect, then just converted that "melody" to midi in ableton, added stock ableton sound. And post processed to give it pad and ambience.

2023. 04. 07. Created from on of my existing samples using rx10,. It's always nice to hear what projects you use these sounds for. Let me know. ;-). One more thing. Maybe check out my links, perhaps you'll find something you like. :o). Fiverr: https://www. Fiverr. Com/cabled_mess.

Audio track from a video i made. The title is just an anagram of part of the original title and nothing to do with the video. The whole track was made by processing the original audio, (which was a female's voice) in a variety of ways.

Heres a quality fat "street" beat ready for use in a aggressive hip-hop or big-beat production. Long sample containing subtle variations and a ending tail fx. Lots of bass and sub in the kick, designed to bang hard in a car system. Ps:would appreciate a link to interesting finished productions using it!.

Some venetian snares inspired breaks, apparently he uses med soundstudio, which is a sweet freeware program. Hard to figure out but coolin the same. Emily was born from some massive processing. Smokey joeand replicant a compressor, some darkware, and a touch tiny touch of reverb, and more stuff. . Ran through a mathamatical midi program. . . . 3. 14 (pi).

For a videogame we needed to create a sound in a scene where guitar players are doing sound check before show. Random chords, leaks, rips, tuning just for fun. Recorded using gibson les paul guitar, processed with overloud th2 plugin.

Myself singing an excerpt that i later took a few hours to take apart and put back together. I don't use the sampler, it's just the notes are out of order. I used this in my song violet town: https://soundcloud. Com/user-32192831-668958257/violet-towni hope someone can find it useful.

A fidgety drum and bass loop with a cowbell, a bunch of claps, shakers and tambourines, arranged in fl studio, run through fl studio's gross beat plugin, which was set to 1/2 speed slow, and this is what the original and the processed drumloop sound like combined.

A recreation of a lavalier microphone pop. Useful for reality or documentary where an interviewee may rip off their mic or you simply want to create the illusion of that drama. Also useful to incorporate into a "signal lost" effect, etc. Processed with some limiting so it's tamed and ready to throw in a mix. Recorded with an mxl lsm-3 dynamic mic, no reason to abuse my real lav mics.

Arturia microbrute synthesizer through guitar rig on low quality direct into the built-in tape deck. Cut in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5-profile for more:http://www. Pond5. Com/artist/cabled_mess.

Recorded with a shure sm7b > cloudlifter > focusrite saffire pro 40. Processing:. Fabfilter pro q 2soundtoys radiatorsoundtoys decapitatorfabfilter pro c 2waves doubler2. Valhalla vintage verb.

Graham cracker foley recorded with a pair of mics in xy stereo arrangement (close), and small diaphragm condenser mic (far) running parallel. Processed in reaper with ambient noise reduction, compression, and eq. Each file mixed according to the title ("far" or "close" dominant).

Buzzing drone made with indie guitar played through ehx super ego, poly phase & chorus, filtered with ehx flanger hoax, recorded on ehx 2880.

Some processed noise. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Every now and then i get on reaktor and jam out a load of abstract weirdness to cut up and be used or further processed, i am uploading some of the raw, continuous files for you to do the same. They tend to be kinda aggressive, but not always and not unusably so (in a commercial sense).

Sound is a home-made circuit bent walkie talkie fashioned into a sort of opto-theremin. Main fx used to process it: boss xtortion and wattson superfuzz, with various other fx switched on and tweaked in the middle. Very much like a chainsaw in the beginning. . . That or a motorbike. The "reving engine" effect was created by blocking the amount of light going to the photocell (which was ripped out of a furby!).

A simple sine-generator piped through a slew of wacky effects automated with randomized lfos. I added some cabinet emulation to give it a 'living room' feel but left it dry enough to add additional stereo/reverb processing. P. S. It loops cleanly. Software: bitwig studio.

The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.

Direct exterior mic recording of an arrow being fired from 40lbs english longbow. Recorded on rode shotgun mic into zoom h4n. De noised/de bird atmos in rx6 then logic processing.

D min7 chord of a halion 6 patchmultisample (c0-c6). Source: zebra 2, spectro blend oscillators (additive synthesis). Strong processing with spectral fx (esp. Mtransform), eq/geq + compressor to balance the frequency spectrum. Feel free to suggest/demand other chords. Don´t hesitate. . .

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, using the granular synthesis features to generate a range of distorted, robotic tones.

01. 03. 17: happy new year, everyone. This is one of a couple of mouth swooshes i made for a papier-mâché style animation. Sweep up, small break, then a mouthy impact. Recorded with iphone 6s, edited and processed in logic.

Believe it or not, this is a recording of a hospital reception bathroom. Recorded in mono on a samsung galaxy s10+ so the quality isn't the best, but i did some eq, some processing to make it sound more stereo, and some metallic convolution reverb, but other than that this is basically the sound as i heard it.

Very seletive recording of a birdsong early in the morning on the begining of april. The city ambience was heavily processed, so when the car appears it sounds quirky. It is left there on purpose, as i guess everyone is going to cut only the part that one needs. Recorded by piotrek zylaequipment: sony pcmd100. If you recognize what bird is it - please leave a comment.

Nice moody soft piano loop at 160bpm, might work for liquid dnb vibes, use it how you like!. Piano was spitfire labs soft piano and put through a short reverb processed with a granulator. Enjoy :). Please note: there are some squeaking sounds but this is part of the preview, when you download it these sounds will be gone.

Sennheiser mkh 8040/mkh 30 ms in a cinela pianissimo windshield into a sound devices 744t; limiters on, no hpf. Stereo-linked 50-50 blend. Normalized to 0dbfs with spot noise removal on birds during the drive-by in rx5, tail left unprocessed. No other processing of any kind. This sound effect acts as a demonstration of this stereo pair mic combination right out of the box.

This is a snippet of a lesson i had with my incredible undergrad professor where we talk about a piece i was writing for bowed piano ensemble. He was incredibly influential on my creative process and as students we would regularly use his voice in electronic pieces by stealth recording his lectures. It only felt right to use one of these snippets for this project since it brings back so many great memories.

This is the sound of trying to squeeze the last dregs of liquid hand soap from a 60-oz plastic container. It has no excuse for sounding this rude. Recorded opportunistically under non-ideal circumstances (including noise floor and clock ticking in background), using the built-in mic on an iphone 7. No processing was done except splicing multiple takes into one file, and transcoding to wav.

Just some sample hits from my drum kit. I left them totally raw so you can add your own processing, reverbs, delays, whatever. The "just the room mic" could be especially fun to nuke, mangle and/or distort. I performed and recorded all of these samples in my studio. So slice & dice, hack & slash, scoop & loop, smash & bash. Make some noise!.