7,520 Royalty-Free Audio Tracks for "Voice"

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

This is how i actually speak to my rats, as well as other animals.

Just made this voc piece for now reason.

Processed vocal recording through a modified sony tcm-200dv cassette recorder.

A growl or snarl, could be a zombie or some other monster.

I used this for a horror game mod, hence the rumbling sound in the background.

A robot describing how the universe was formed, and then it isn't sure!recorded using an se 2200a microphone into apple logic.

Energy-type explosion or blast sound created using microphone, 4 voice layers and multiple effects. .

Growlyness on a pro condenser mic.

Vocal impersonation of an elderly coach telling his players not to worry so much about sweating.

Inside restaurant in chinatown, toronto. Sony m10. 2012.

I recording this sound using voice memo app on iphone x max.

Mechanical computer woman reading words mediathek suche dot de.

People singing karaoke in another room, while you lay downstairs.

Stereoi captured it during my time at a hotel. Zoom h4n built in microphone.

Good answer.

Dj drops with the voice of nikki nikole, get yours at commercialkings. Com/djdrops.

Request from jon_templehttps://www. Freesound. Org/forum/sample-requests/39571/.

I'm american and very much not fluent in japanese. These are just some basic phrases. Sorry for any pronunciation problems.

Cool owo sound i can make with my voice.

Sound of inhaling on a cigarette. Recorded with olympus vn-4100pc digital voice recorder. I reduced the noise and amplified the sound.

High-pitched, breathy female gasp. No idea who it was. And she didn't know where she was. :-d.

The subscriber's phone is switched off or out of the coverage / russian and english. Recorded with sony pcm d100 from mobile phone speaker.

If you've resolved not to lie, stick to it.

F. Free.

For free use. Let me know please. . I would like to listen what you done with that. Thank you!!.

Relaxation music for multiple purposes. Created with a synthesizer, recorded with magix studio. Edited with audacity and magix studio.

I just recorded my friend and my brother's voice screaming and edited the pitch in wavepad sound editor demo, and tada! a jumpscare.

90's tpsa misdialed call message"nie ma takiego numeru".

A moaning girl while having sex with a few german words.

Recorded on a ipad, which seems to pick up background noise from the subway system. Sorry about that. I am on the train, it stops, i get out and hear an announcement on the other side. This station has two tracks, one running in either direction. Generally, when you hear an announcement, you hear mandarin first (woman's voice), cantonese next (slightly different woman's voice), then english in a man's voice. This is line 1 in downtown shenzhen. Interestingly, the next train going in the same direction of the one i got off, arrives within the time of this recording, about 1. 5 minutes later.

Noise removal'd in audacity and recorded with a cheap staples business depo brand mic. I was doing voice acting for a game i'm making http://www. Albinoblacksheep. Com/games/does-new) and thought someone might get a chuckle out of it if they come across it. Who knows? maybe part of this will show up in an all bran commercial.

This is a file prepared for being used with makenoise's morphagene eurorack module. It is a pierre schaeffer interview cut with markers in files directly. It is a nice mise en abîme if you use it for musique concrète works as it is an interview about musique concrète.

I made this using audacity to reform and change the frequencies for a few sounds i recorded at my desk which were made with a lighter, imitating the sound of a water drop with my voice, a rotating object hitting different things (cans, lighter, wooden desk, etc. , my creaky chair, me imitating a fly with my voice and finally, tapping on an empty can.

30 people drinking café or panachés in a french café. A woman is working at the bar, speaking to customers. Many voices, coins, cups and spoons, chair, bips. La roche bernard, france, august 2020. Recorded with two em 127 on ab setrecorded with sounddevice mixpre624 bits, 96khz, stereo.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

This is the 1st sound ive uploaded in a while! but yah its a pretty wierd sound to use if you want a guard to prevent someone from accessing a prohibited area in your game. (you dont have to credit me if you dont want to).

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

The book voice lines from how to succeed in buissness without really tryinglicence:book_voice_recordings_how_to_succeed_final. Wav is licensed under the creative commons attribution 4. 0 internatio you are free to:share — copy and redistribute the material in any medium or formatadapt — remix, transform, and build upon the materialfor any purpose, even commercially. This license is acceptable for free cultural works. The licensor cannot revoke these freedoms as long as you follow the following license terms:no additional restrictions — you may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Notices:you do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.